“Helenbrook’s gleaming vocal pyrotechnics certainly conjured uncanny supernatural power.”
“Emily Helenbrook brought to this role the supple, soaring coloratura elegance that proved so entrancing in the title role of Opera Neo’s successful production last season of G. F. Handel’s Rodelinda.”
“Soprano Emily Helenbrook displayed apt regal bearing and resplendent vocal allure.”
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“How well she floated her many high notes, with such ease and grace, and in Russian yet. ”
“Emily Helenbrook’s soaring, dramatic coloratura proved even more commanding than her Budapest debut of this role, which is no small feat considering her formidable debut last month.”
Artist Biography
Soprano, Emily Helenbrook, recently returned from Budapest where she performed the title role in Haydn’s Armida in a joint production with the Hungarian State Opera and Opera Neo. As Armida, she was described by the San Diego Story as “formidable” and “commanding” where her “gleaming vocal pyrotechnics conjured uncanny supernatural power”. Emily also appeared as Teutile in Vivaldi’s rarely performed work Motezuma earlier in the season, and as the title role in Handel’s Rodelinda in 2024 with Opera Neo.
Emily completed two seasons as a Vocal Fellow at the Tanglewood Music Center under the mentorship of Dawn Upshaw where she performed Shakespeare Sonnets by Ricardo Zohn-Muldoon in Ozawa Hall during Tanglewood’s Festival of Contemporary Music. She was also a featured soloist in Bach’s Cantata No. 180 conducted by John Harbison. Previously with Tanglewood, Emily performed as the Sun and the Vole in the U.S. Premiere of Richard Ayres’ The Cricket Recovers with Maestro Thomas Adès.
In 2021, Ms. Helenbrook appeared as a second year Apprentice Artist at Palm Beach Opera where she sang Erste Knabe in Die Zauberflöte. That same season, she covered Papagena and Erste Dame in Die Zauberflöte as well as Giulietta in Bellini’s I Capuleti e i Montecchi. In PBO’s previous season, Emily appeared as the Dew Fairy in Hansel and Gretel. Ms. Helenbrook has also performed the roles of Ismene in Mitridate, re di Ponto (Opera Neo), L’Eternitá in La Calisto (Rice Opera Theatre), Adele in Die Fledermaus (Opera in the Ozarks), Suor Genovieffa in Suor Angelica (Eastman), Barbarina in Le nozze di Figaro (Eastman), and has covered La Bergère and La Chouette in L’enfant et les sortilèges (Aspen Opera Center).
As an experienced concert soloist, Emily has appeared several times with the Buffalo Philharmonic under the direction of JoAnn Falletta and most recently returned as a soloist in the fall of 2022. Ms. Helenbrook also premiered the song cycle Tippet Rise Songs by Anton Garcia Abril for the inaugural season of the TippetRise Art Center in Montana with pianist Christopher O’Riley.
Emily has received Encouragement Awards at the Florida and North Carolina Districts of the Metropolitan Opera Laffont Competition as well as the Gerda Lissner Song/Lieder Competition.
Emily attended the Eastman School of Music/University of Rochester receiving undergraduate degrees in both Vocal Performance and Political Science. Ms. Helenbrook graduated from Rice University with her Master’s in Vocal Performance where she studied with Dr. Stephen King.
In addition to operatic performing, Emily is a passionate concert artist and is pleased to be returning to ArsNova Chamber Musicians as a featured soloist in their upcoming Viva Vivaldi Festival concert this fall.